Thessaloniki Museum of Photography

Nelly’s

dimitra.samsaki — Mon, 19 Feb 2024 17:10:45 +0000

Nelly’s dimitra.samsaki Mon, 02/19/2024 - 19:25

Exhibition Type

Temporary

Image

Start Date

Fri, 02/23/2024 - 10:00

End Date

Sun, 04/28/2024 - 18:00

Museum

Thessaloniki Museum of Photography

Body

Opening: Friday 23 February 2024, 19:30

Female dancers in front of the Parthenon, musicians and dancers from Crete, peasant women from Ioannina, ladies from New York and Athens, the politician Eleftherios Venizelos and the poet Kostis Palamas are just some of the protagonists of the photographic lens of Elly Sougioultzoglou-Seraidari (1899-1998), well-known as Nelly’s in the exhibition under the same title which will be presented at the MOMus-Thessaloniki Museum of Photography (Warehouse A’, Pier A’, Thessaloniki port) from 23 February to 28 April 2024. Focusing on the three cities in which Nelly’s formed her photographic gaze, the exhibition attempts to present her multidimensional work from the years of her apprenticeship in Dresden in the early 1920s, her arrival in Athens and her dynamic presence in the city’s photographic events until 1966 when she retired after twenty-seven years of tireless work in New York.

The exhibition is part of “Nelly's” retrospective exhibition organized by the Benaki Museum on 2023 in Athens, in commemoration of the twenty-five years after the photographer’s death, with the aim of reintroducing the artist to contemporary audiences.

Nelly’s work was particularly important in the interwar period, exercising many types of photography and having a particular impact on the development of the medium in Greece in the 20th century. After her stay in the United States for almost three decades, her work began to be re-evaluated from the 1970s.

The exhibition consists of 185 vintage prints, produced by the photographer herself and selected from her voluminous archive in order to represent the different aesthetic trends she adopted during her forty-five years of working with the medium and the numerous photographic techniques she experimented with. Fifty-three contemporary digital prints made from her original negatives are added to these works in order to fill in some narrative gaps.

The photographic equipment Nelly used as a student in Dresden but also as a professional photographer in Athens during the interwar period and in New York after the war is also exhibited in order to document her deep knowledge of photographic technology. The exhibition also includes archival material, such as albums, original publications, periodicals and postcards, which altogether help visitors understand the ways in which her photographic works were used at the time. The exhibition also includes Nelly's painting on porcelain, an activity she developed alongside photographic work during her stay in America, as well as original, archival material -costumes, masks- from the Delphic Festival of 1927 and 1930.

Curator: Aliki Tsirgialou

Exhibition designer: Natalia Boura

There will be guided tours in Greek language; the dates will be announced.

Credits: Elly Sougioultzoglou-Seraidari (Nelly's)
The Russian dancer Elizaveta "Lila" Nikolska in the Parthenon, November 1930
© Benaki Museum / Photographic Archives

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Benaki Museums Official Air Carrier Sponsor

Opening sponsor

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Εκδήλωση-Finissage της κεντρικής έκθεσης της Thessaloniki PhotoΒiennale 2023 «Το φάντασμα του λαού»

dimitra.samsaki — Tue, 06 Feb 2024 14:51:01 +0000

Main exhibition “The Spectre of the People” closing event dimitra.samsaki Tue, 02/06/2024 - 17:33

Event Type

Εκδηλώσεις Β

Image

Event Exhibition

The Spectre of the People | Thessaloniki PhotoBiennale 2023

Start Date

Sat, 02/10/2024 - 17:00

End Date

Sat, 02/10/2024 - 20:00

Museum

Thessaloniki Museum of Photography

Body

Main exhibition “The Spectre of the People” closing event

Saturday 10 February 2024 | 17:00

MOMus-Thessaloniki Museum of Photography (Warehouse A’, Pier A’, port area)

Presentations by Joan Fontcuberta and Pilar Rosado Rodrigo, artists-photographers participating at the exhibition.

Interventions by Yannis Stavrakakis, Professor at the School of Political Sciences, Aristotle University of Thessaloniki and Julian Stallabrass, art historian and curator of the exhibition.

In detail, Julian Stallbrass will speak in his presentation about the concept behind the main exhibition of this year’s PhotoBiennale, while Yannis Stavrakakis will refer to the current trends and aspects of populism as an international phaenomenon.

Pila Rosado Rodrigo will present her work with a focus on her research on the relationship between art and artificial intelligence and Joan Fontcuberta will do a retrospective of his work.

Participation is free for the public. There will be simultaneous interpretation from English to Greek and vica versa.

The exhibition “The Spectre of the People” ends on 11 February 2024 and is hosted in MOMus-Thessaloniki Museum of Photography (Warehouse A', port area) and the MOMus-Experimental Center for the Arts (Warehouse B1, port area). More information can be found here https://photobiennale-greece.gr/en/ektheseis/main-exhibition/

Short bios

Joan Fontcuberta has developed both an artistic and theoretical activity focused on the conflicts between nature, technology, photography, and truth. Recently, he has explored the new visual culture in the light of the impact of technological tools and artificial intelligence.

Pilar Rosado holds a PhD in Fine Arts and a Master's degree in Biology. She is interested in how new technologies can change our perception of the world, but also in the creative possibilities that are within our reach.

Yannis Stavrakakis is Professor in the School of Political Sciences at the Aristotle University of Thessaloniki, where he directs the Postgraduate Programme in Political Theory, The Laboratory for the Study of Democracy, and the POPULISMUS observatory: http://www.populismus.gr

Julian Stallabrass is a writer, photographer, curator and lecturer. His books include Killing for Show: Photography, War and the Media in Vietnam and Iraq, 2020; A Very Short Introduction to Contemporary Art, updated edition, 2020; Internet Art: The Online Clash Between Culture and Commerce, 2003; Paris Pictured, 2002; and High Art Lite: British Art in the 1990s, Verso, London 1999. He curated Art and Money Online for Tate Britain in 2001; the 2008 Brighton Photo Biennial, Memory of Fire: Images of War and the War of Images; and Failing Leviathan: Magnum Photographers and Civil War at the National Civil War Centre, Newark in 2015. He has made online TV programmes about aspects of modern and contemporary art for Tariq Ali TV in the series ‘Rear Window’.

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László Moholy-Nagy. Light Play

dimitra.samsaki — Fri, 29 May 2026 12:04:54 +0000

László Moholy-Nagy. Light Play dimitra.samsaki Fri, 06/05/2026 - 13:14

Exhibition Type

Temporary

Image

Start Date

Sat, 06/13/2026 - 08:40

End Date

Sun, 11/15/2026 - 20:40

Museum

Thessaloniki Museum of Photography

Body

“A knowledge of photography is just as important as that of the alphabet.

The illiterate of the future will be ignorant of the use of camera and pen alike.”

László Moholy-Nagy

The photographic experiments of the renowned Bauhaus representative László Moholy-Nagy (1895–1946) are the focus of the new exhibition titled “László Moholy-Nagy. Light Play,” which will be presented for the first time in Greece at the MOMUS-Thessaloniki Museum of Photography, from 13 June to 15 November, 2026.

As one of the most important figures of the Bauhaus, Moholy-Nagy made a decisive contribution to the renewal of the photographic language, treating photography not merely as a means of documentation but as a tool for research, composition, and a new visual experience. Through photomontages and experimental explorations with light and the darkroom, he played a decisive role in shaping a new conception of the image that profoundly influenced contemporary photography, as well as design, graphic arts, and cinema.

The 68 photographic artworks by this pioneering artist, featured in the exhibition, focus on floating shapes and bodies, gazes, shadows, gestures, and transparencies, highlighting Moholy-Nagy’s radical contribution to the fields of photography, film, and the experimental arts of the 20th century.

At the same time, this exhibition highlights the enduring influence of the Bauhaus on contemporary artistic and applied creation: “photograms” (photography without a camera), photomontages, experimental photographs from Europe and the U.S., where he lived and worked, both black-and-white and color photographs, as well as films, offer the exhibition’s visitors a comprehensive experience.

László Moholy-Nagy
László Moholy-Nagy (Hungary, 1895–USA, 1946) was a leading figure in the explosion of modernism in the arts during the early decades of the 20th century. A multifaceted and pioneering figure, the Hungarian artist engaged in painting, photography, design, sculpture, film, typography, and theatrical set design; he designed books, exhibitions, and shop windows. An injured veteran of the Austro-Hungarian army in World War I, he became involved with the Berlin Dada movement and Constructivism. In 1923, he joined the Bauhaus school, where he taught until 1928, while also editing all of the school’s publications alongside Walter Gropius. He was an enthusiastic teacher and authored, among other works, the influential theoretical treatise Painting, Photography, Film (1925).

He experimented with “photograms” (photography without a camera) as early as 1921, exploring their abstract potential, the same year that Man Ray discovered the same technique under the term “rayographs.” In 1924, he began creating “photoplastics,” an elliptical, minimalist narrative/collage featuring fragments of drawings, images, and words.

Throughout the exhibition, educational programmes, guided tours, and workshops on photographic experimentation will take place

Co-organized by: MOMUS-Thessaloniki Museum of Photography, Fotografiska, the Contemporary Museum of Photography, Art and Culture, The Moholy-Nagy Estate.
Curated by: Jessica Jarl, Global Director of Exhibitions / Fotografiska
Architectural design/production: Danai Mavridou, Spyros Tsafaras / TETRAGON S.A.
Curatorial adaptation: Areti Leopoulou, Deputy Artistic Director / MOMUS-Thessaloniki Museum of Photography & Hercules Papaioannou, Curator

Fotografiska is a global institution with museums in Stockholm, Berlin, Shanghai, Tallinn, and soon Oslo, dedicated to inspiring new perspectives through photography and contemporary art. Through partnerships and institutional collaborations, Fotografiska brings photography and visual culture to audiences around the globe.

Co-organised by

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Μαζί, Ορατές

dimitra.samsaki — Fri, 13 Mar 2026 14:23:05 +0000

Together, Visible dimitra.samsaki Fri, 03/13/2026 - 16:26

Exhibition Type

MOMus abroad

Image

Start Date

Fri, 03/27/2026 - 20:40

End Date

Sun, 08/30/2026 - 20:40

Museum

Thessaloniki Museum of Photography

Body

Stavros Niarchos Park Perimeter

The photography exhibition "Together, Visible," a collaboration of the Stavros Niarchos Foundation Cultural Center with MOMUS-Thessaloniki Museum of Photography, which is presented in the framework of the WOW Festival Athens 2026, brings together works by twelve contemporary photographers from the museum's permanent collection and highlights multiple facets of women's experiences.

In this selection of works, woman is placed at the center not as a subject, but as a site onto which the most persistent social expectations are inscribed: image, role, memory, visibility, origin. The participating photographers-artists enter into dialogue like chapters of a single narrative, in which the female body and female experience function simultaneously as stage and testimony: at times in the first person (self–portrait), at others as a collective condition.

Τhis selection of works maps female existence as an ongoing negotiation between what is imposed and what is chosen, promoting equality, inclusion, and the visibility of women, femininities, and non–binary people through the power of the image.

Curated by: Maria Kechagioglou, Antonis Vlachos

Photographers-artists: Christina Calbari, Catherine Chatzidimitriou, Athina Chroni, Vicky Georgiou, Francesca Giaitzoglou–Watkinson, Katerina Kalogeraki, Natasa Kantemiri, Iliana Meintani, Fanny Sarri, Olga Stefatou, Katerina Tsakiri, Nikoleta Zisi

More: https://www.snfcc.org/en/wow-women-of-the-world-2/

Credits

Vicky Georgiou

The backyard (2018-2023)

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Τρεις δρόμοι: Constantine Manos, Nikos Economopoulos, Enri Canaj

dimitra.samsaki — Wed, 11 Feb 2026 14:07:39 +0000

Three Paths: Constantine Manos, Nikos Economopoulos, Enri Canaj dimitra.samsaki Wed, 02/11/2026 - 16:16

Exhibition Type

Temporary

Image

Start Date

Thu, 02/19/2026 - 20:40

End Date

Sun, 05/24/2026 - 20:40

Museum

Thessaloniki Museum of Photography

Body

Opening: Thursday, 19 February 2026, 19:30

The exhibition “Three Paths: Constantine Manos, Nikos Economopoulos, Enri Canaj” presented in MOMUS-Thessaloniki Museum of Photography and coorganised with Benaki Museum, from 19 February until 24 May 2026, is an original proposal as well as a tribute. With street photography as its backbone, a dominant artistic trend of the photographic medium in the second half of the 20th century, it bridges three generations of artists with common point of reference their relationship with Greece and their membership in the famous Magnum Photos agency, which has written since its foundation in 1947 and until today, to a large degree, modern world’s history in images.

Greek-American Constantine Manos walks around the country in the sixties as a contemporary Ulysses, looking to heal the latent wound of migration. Nikos Economopoulos crosses Greece and the Balkans in the last two decades of the 20th century focusing mainly in fragile minorities and turbulent communities. Greek-Albanian Enri Canaj, respectively, visits in the second decade of the 21st century a homeland he never got to know properly, imprinted though deeply in the memories of his childhood and dwelling still in the everyday family stories.

The expressiveness of the snapshot, the dedication on the everyday, underprivileged man, the Balkan place as a womb of common experiences and wounds, the occasionally melancholic austereness of the black and white tones in a contemporary world dressed now with vivid, saturated colors, act as common elements of the three artistic generations, that maintained among them a relationship of support and/or apprenticeship. Walking through the exhibition one may also spontaneously trace the historical, aesthetic and social relevance in the work of the three photographers, as they distill from the world the substance of life and photography.
The works of Constantine Manos and Nikos Economopoulos belong to the collection of the Benaki Museum Photographic Archives, Athens.

Curated by: Hercules Papaioannou, Curator of MOMUS-Thessaloniki Museum of Photography

Artists’ Talks
MOMUS-Thessaloniki Museum of Photography (Warehouse Α’, Pier Α’, Port of Thessaloniki)
Friday, 20 February 2026, 19:00-21:00

The photographers Nikos Economopoulos and Enri Canaj talk with the exhibition’s curator, Hercules Papaioannou, and the audience about their work and the dimensions of street photography nowadays.
The discussion will be held in Greek. No translation provided.
Participation with the exhibition’s ticket.

CV’s
Constantine Manos (1934-2025) was born in Columbia, South Carolina, U.S.A., of Greek immigrant parents. At the age of nineteen he was hired as the official photographer of the Boston Symphony Orchestra. He studied English Literature at the University of South Carolina. Moving to New York, he worked for Esquire, Life, and Look magazines. From 1961 through 1963 Manos lived in Greece, where he made the photographs for his book A Greek Portfolio - first published in 1972. The book won awards at Arles and at the Leipzig Book Fair and opened the door for Manos in becoming in 1963 a member of Magnum Photos. His photographs are in the permanent collections of the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, the Art Institute of Chicago, the Museum of Fine Arts in Houston, the George Eastman House in Rochester and the Benaki Museum in Athens. In 1982 Manos switched his personal work from black and white to color. Work from Manos' ongoing color project first appeared in his book American Color, published in 1995. In 2000 his book American Color 2 followed. In 2003 Manos was awarded the Leica Medal of Excellence.

Nikos Economopoulos was born in the Peloponnese, Greece, in 1953. He studied law and worked as a journalist in Parma, Italy, before dedicating himself to photography. He joined Magnum Photos in 1990 after a proposal by Constantine Manos, and his photographs began appearing in newspapers and magazines around the world. In the same period, he started traveling and photographing extensively around the Balkans. This work won him the Mother Jones Award for work in progress. Upon completion of his Balkans project in 1994, Economopoulos became a full member of Magnum Photos. His book, In the Balkans, was published in 1995 in New York and Athens. In the 1990s, Economopoulos started working on borders and crossings, photographing the inhabitants of the “Green Line” in Cyprus, the irregular migrants on the Greek-Albanian borderline, and the mass migration of ethnic Albanians fleeing Kosovo. In the mid-1990s, he started photographing the Roma and other minorities. A retrospective of his work, titled Economopoulos, Photographer, was published in 2002 and later exhibited at the Benaki Museum in Athens in 2005. Economopoulos has turned to the use of color and is currently spending most of his time away from Greece, travelling, teaching, and photographing around the world.

Enri Canaj was born in Tirana, Albania, in 1980. He moved with his family to Greece in 1991. He studied photography in Athens and in 2007 he took part in a British Council project on migration, attending a year-long workshop with photographer Nikos Economopoulos. Since 2008, he has been a freelance photographer for major national and international publications and is now is a member of Magnum Photos. Based in Athens, he has exhibited his work widely in Greece as well as Belgium, Luxembourg, France, Switzerland, Germany, Italy, while he presented a personal show at the Rencontres d’ Arles photography festival. His work has been honored with grants and awards, and has been published in media such as Times Magazine, CNN, The Guardian, New York Times, Financial Times, Newsweek, National Geographic, Le Monde, Wall Street Journal, Arte TV. He has collaborated with institutions such as Princeton University, UNICEF, Melissa - Network of Migrant Women in Greece, MSF, Solidarity Now, European Parliament, Thessaloniki Documentary Festival.

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Ξεναγήσεις στην έκθεση «Frida Kahlo – Her Photos»

dimitra.samsaki — Thu, 25 Sep 2025 10:35:35 +0000

Guided Tours of the exhibition “Frida Kahlo – Her Photos” dimitra.samsaki Thu, 09/25/2025 - 14:37

Education type

Guided Tours

Image

Education Exhibition

Frida Kahlo – Her Photos

Start Date

Thu, 10/09/2025 - 18:00

End Date

Sat, 01/04/2025 - 19:00

Museum

Thessaloniki Museum of Photography

Body

The tours are held only in Greek.

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ΑΝΑΚΟΙΝΩΣΗ ΩΡΑΡΙΟΥ #MOMUSPHOTOGRAPHY

dimitra.samsaki — Fri, 18 Jul 2025 14:00:59 +0000

OPENING HOURS ANNOUNCEMENT #MOMUSPHOTOGRAPHY dimitra.samsaki Fri, 07/18/2025 - 17:05

The exhibition “About Humans” will end on Sunday, 20 July 2025, due to scheduled renovation works in preparation for the upcoming exhibition “Frida Kahlo – Her Photos” (3 October 2025 – 4 January 4 2026).

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Museum

Thessaloniki Museum of Photography

News Type

News-Announcements

Frida Kahlo – Her Photos

dimitra.samsaki — Thu, 17 Jul 2025 12:33:13 +0000

Frida Kahlo – Her Photos dimitra.samsaki Thu, 07/17/2025 - 16:25

Exhibition Type

Temporary

Image

Start Date

Fri, 10/03/2025 - 10:00

End Date

Sun, 01/04/2026 - 20:00

Museum

Thessaloniki Museum of Photography

Body

Frida Kahlo “arrives” at MOMus-Thessaloniki Museum of Photography, from 3 October 2025 to 4 January 2026, for the first time in Greece, as the next stop in the list of more than twenty cities where the exhibition “Frida Kahlo – Her Photos” has been presented internationally.

The exhibition reveals aspects of the inner world of the internationally recognised artist from Mexico through 241 unpublished photographs representing different periods and people in her life, and provides a new perspective on the turbulent life of one of the most mysterious and iconic figures in Latin American art.

Τhe exhibition is organised by the Frida Kahlo Museum and Diego Rivera-Anahuacalli Museum.

An Archive and a well hidden Collection

Despite the importance of photography to Frida, a major part of her collection of photographs was hidden away from the public for several decades. When she died, in 1954, her husband Diego Rivera donated their house – known as the Blue House (Casa Azul), in Mexico City – to the Mexican people, so that they could turn it into a museum about Frida’s life and work. This was the beginning of what is nowadays the Frida Kahlo Museum, one of the most popular museums in the world.

Although Diego Riveira gave Frida’s artworks and objects to the museum, he asked to lock a part of them away from people’s curious eyes. That is the main reason why this personal archive, which included more than six thousand photographs, some drawings, letters, medicines and clothes, was closed for five long decades. A Blue House’s bathroom was the chosen place to save those treasures, and therefore gained an almost mythical aura.

It was only in 2003 that the numbed archive was opened. A selected part of the newly found photographs was transformed into this exhibition under the title “FridaKahlo – Her Photos” presented in MOMus-Thessaloniki Museum of Photography.

Curated by: Pablo Ortiz Monasterio

Photo credit:

Nickolas Muray, Frida Kahlo in New York, United States, 1946.

Diego Rivera & Frida Kahlo Archives.

Bank of Mexico, Fiduciary in the Diego Rivera and Frida Kahlo Museum Trust

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Παρουσίαση λευκώματος «Δημήτρης Μουγκός. Κάνα δυο φωτογραφίες»

dimitra.samsaki — Wed, 24 Jan 2024 09:49:41 +0000

Album presentation “Dimitris Mougos. A couple of photos” dimitra.samsaki Fri, 06/27/2025 - 14:45

Event Type

Εκδηλώσεις Β

Image

Start Date

Thu, 02/01/2024 - 19:00

End Date

Thu, 02/01/2024 - 21:00

Museum

Thessaloniki Museum of Photography

Body

Thessaloniki PhotoBiennale 2023

Album presentation “Dimitris Mougos. A couple of photos”

Dimitris Mougos has been recording moments of his friends for years, allowing us to take a look at the complex mosaic of his friendship and artistic creation. This special mosaic will unfold at the presentation of the album “A couple of photos”, Petites-Maisons editions, which will take place at MOMus-Thessaloniki Museum of Photography (Pier A’, Warehouse A’, Thessaloniki Port area), on Thursday 01 February 2024 at 19:00.

In the exhibition “A Few Photos” presented at The Eye Altering gallery, curated by Eleni Giannakoulis, as part of the Thessaloniki Photobiennale in the fall of 2023, Dimitris Mougos did not simply share with the audience photographs from his group’s shared and creative journey, but created an in situ photographic environment from objects left behind by Lex concertgoers, things found along the way over the years, thousands of photo prints and typographic sheets from the album’s production.

Speakers

Aris Stylianou, Professor of Philosophy, Department of Political Science, Aristotle University of Thessaloniki

Eos Paschou, Assistant Professor of Photography and Audiovisual Arts, University of West Attica

Orestis Pangalos, Visual Artist, Lecturer at the Aristotle University of Thessaloniki and the University of Thessaly

Dimitris Mougos, Photographer

Coordinator

Stergios Stefanou, Publisher, Petites-Maisons Publications

Artist Bio

Dimitris Mougos was born in Thessaloniki in 1984. Coming from an environment identified with the graphic arts, he studied photography at the School of Applied Arts and Culture in Athens and did postgraduate studies at Goldsmiths College in London. Since 2012 he has been living and working in Thessaloniki. He is a member of MOUGOS Image & Communication, whose focus is photography, visual communication and graphic arts.

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«Ζωντανές φωτογραφίες». Προσβάσιμες δράσεις στο πλαίσιο της έκθεσης «ΙστορίεςΤης. Φωτογραφικές πρακτικές, 1974-2024»

dimitra.samsaki — Mon, 02 Sep 2024 12:36:50 +0000

“Living Photos”. Accessible actions in the context of the exhibition “Her Stories. Photographic Practices, 1974-2024” dimitra.samsaki Fri, 06/27/2025 - 14:31

Event Type

Εκδηλώσεις Β

Image

Event Exhibition

HerStories. Photographic Practices, 1974-2024

Start Date

Wed, 09/11/2024 - 18:00

End Date

Sun, 09/15/2024 - 13:00

Museum

Thessaloniki Museum of Photography

Body

Two participatory actions entitled “Living Photos” will take place in the context of the exhibition “Her Stories. Photographic Practices, 1974-2024” on Wednesday, September 11 at 18:00 and Sunday, September 15 at 11:30 at MOMus-Experimental Arts Center (Warehouse B1, Pier A, Thessaloniki Port area). The actions are organized by MOMus- Thessaloniki Museum of Photography and the AccessibleLimitlessLiving NGO, with free participation for the general public.

Works from the exhibition will “come to life” in front of the public through a group of people with visual impairment. Escaping the narrow limits of vision, the art of photography is intertwined with other senses such as hearing, touch, smell. In this way, it is redefined through a new perspective and opens up new paths of creation and perception.

The actions are part of the Art CHAIN - Art, Cultural Heritage, Accessibility and Inclusion project, which is implemented within the framework of the BUILD - Building a robust and democratic civic space program, with the implementing body being the Accessible Limitless Living NGO. BUILD is co-financed by the European Union, through the Citizens, Equality, Rights and Values (CERV) program, the Bodossaki Foundation and the NGO Support Centre - Cyprus.

The action is implemented by Nikos Argyros, Christina Blavaki, Nikos Brantis, Roudtina Debrova.

The following collaborated to organize the action:

Antonis Vlachos, photographer

Paschalina Kalle, mobility, orientation and daily living skills trainer for people with visual impairment

Maria Kechagioglou, political scientist - museologist

Nicoleta Pappa, Greek Sign Language interpreter

Eleni Pnevmatikou, director - editor

Panagiotis Tsalis, accessibility expert

Pnevma Productions, video production

The actions are part of the Art CHAIN project, which is implemented within the framework of the BUILD - Building a robust and democratic civic space program, with the implementing body being the Accessible Limitless Living NGO. BUILD is co-financed by the European Union, through the Citizens, Equality, Rights and Values (CERV) program, the Bodossaki Foundation and the NGO Support Centre - Cyprus.

Co-organization:

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